[Referências] Artes sonoras, práticas críticas e trabalho cultural: potencialidades, afetos e tensões artísticas, criativas e laborais na contemporaneidade com Vanessa de Michelis e Lílian Campesato

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Site do Azucrina Records:

Filme: Post – Interludio,

JK-GIBSON- GRAHAM (Drawing Icebergs workshops)

Her Noise Archive –

Lina Džuverović –

Mapeando deslocamento do poder – atuação x representação

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AZ Records (2010) ‘AZ Records: Reporting an Experience with Netlabels (en-pt) Relatos de uma experiência com selos virtuais’, in Brito, T. (ed.) Digital Counterculture: Critical Production in Digital Media (en-pt) Contracultura Digital: reflexões críticas em midias digitais. Available at:
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AZ Records and De Michelis, V. (2015) DIY Stage Setup for Women – Sound Stage Setup for Women, Vimeo. Available at: (Accessed: 10 May 2020).

Banks, M. (2017) Creative justice: cultural industries, work and inequality. London ; NewYork: Rowman & Littlefield International. Bassanesi, C. (2018) ‘Residencies as spaces for production and relflection in the arts (en) – (pt) AS RESIDÊNCIAS ARTÍSTICAS COMO ESPAÇOS DE REFLEXÃO E PRODUÇÃO DE ARTES’, Revista Observatório Itaú Cultural, pp. 160–169.

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Campesato, L. and Iazzetta, F. (eds) (2019) Local practices, universal discourses (en-pt) PRÁTICAS LOCAIS, DISCURSOS UNIVERSALIZANTES: Relendo a música experimental. Salvador – Brasil: Universidade Federal da Bahia. Available at:

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De Michelis, V. (2019) Handmade Electronic Instruments and Stage Setup Workshops, website. Available at: (Accessed: 10 May 2020).

Desenhaudio (no date) Vimeo. Available at: (Accessed: 10 May 2020).

Džuverović, Lina (2020) THE LOVE AFFAIR BETWEEN THE MUSEUM AND THE ARTS OF SOUND. Available at: (Accessed: 1 March 2020).

Figueiró, Cristiano (ed.) (2019) Sonic Desobedience: Experimental Music Labels and their Sustainable Technologies (en) – (pt) Desobediência Sonora: Selos de Música Experimental e Suas Tecnolgias de Sustentabilidade. Salvador – Brasil: Universidade Federal da Bahia. Available at:

Gibson-Graham, J. K. (2006) A postcapitalist politics. Minneapolis: University of Minnesota Press.

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Handmade Electronic Music: The Art of Hardware Hacking, 2nd Edition (Paperback) – Routledge (no date) Available at:
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Latin Elephant (2020) Working Disobedience from Latin America. Available at:

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McRobbie, A. (2016) Be creative: making a living in the new culture industries. Cambridge, UK ; Malden, MA: Polity Press.

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Negri, A. and Emery, E. (2018) From the factory to the metropolis. English edition. Cambridge, UK ; Malden, MA: Polity Press (Essays, volume 2).

Neiva, T. (2019) ‘Engaged Sonorities: Politics and Gender in the Work of Vanessa De Michelis’, in Chaves, R. and Iazzetta, F. (eds) Making it heard: a history of Brazilian sound art. New York: Bloomsbury Academic (Sound studies).

News | Community Economies (no date). Available at: (Accessed: 22 June 2020).

Pearse, H. (1992) ‘Beyond Paradigms: Art Education Theory and Practice in a Postparadigmatic World’, Studies in Art Education, 33(4), p. 244. doi: 10.2307/1320669.

Pringle, E. (2009) The Artist as Educator: Examining Relationships between Art Practice and Pedagogy in the Gallery Context, Tate – Tate Papers no.11. Available at:
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Rennó, R. (2009) Laboratories: spaces of production, diffusion and research in art and technology (en) – (pt) Laboratórios: Espaços de produção, difusão e pesquisa de Arte e Tecnologia, Vimeo. Available at: (Accessed: 24 February 2020).

Rey, G. (2018) ‘Symbolic Mutations, Cultural Redesign and Education: The library, the Museum and the Laboratory In defense of Arts-Education (en) – (pt) Mutações simbólicas, Redesenhos culturais E educação: A biblioteca, o museu e o laboratório’, Revista Observatório Itaú Cultural, pp. 115–131.

Roelvink, G., St. Martin, K. and Gibson-Graham, J. K. (eds) (2015) Making other worlds possible: performing diverse economies. Minneapolis: University of Minnesota Press.

Scharff, C. (2019) Gender, subjectivity and cultural work: the classical music profession. London: Routledge.

What is the powercube? | Understanding power for social change | | IDS at Sussex University (no date). Available at:
/ (Accessed: 22 June 2020).

Zerbinatti, C., Nogueira, I. and Pedro, J. M. (2018) ‘A emergência do campo de música e gênero no Brasil: reflexões iniciais’.

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